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北魏起初是由北部鲜卑族拓跋部落首领创建的北方政权王朝。统治者和佛教徒都想依靠对方的势力，佛教便因此在中国站稳了脚跟，开启了传播之路。

佛教在北魏的盛行还与中国的“神”崇拜有关。佛教在发展的道路上也在不断地调整自身，来适应社会的需要和人们的诉求，因此，佛教登上了北魏宗教信仰的广阔舞台，萨满教也就逐渐消失了，在这样有利的社会环境下，佛教在北魏迎来了一个繁荣发展的重要时期。

自北魏建国初始，佛教就与其相伴发展，再加上北魏帝王重视佛教的扶持力度，赋予了佛教一个至高无上的地位，导致从帝王百官到黎民百姓，上行下效，产生了强烈的连锁效应，使得举国上下为之狂热崇拜。

佛教想要传播必须要走中原文化的道路，也是佛教在中国未来的发展中**的选择。渐渐地，佛教的文化开始深入社会生活，走到百姓身边，它在宣教的同时，也在与中原传统文化不断地切磋学习，使自身世俗化、人格化，以便更好地进行传播。

铜佛像

彼岸花的梵文别名叫做"曼珠沙华"，是来自于《法华经》中梵语"摩诃曼珠沙华"的音译。原意为天上之花，大红花，是天降吉兆四华（曼珠沙华、摩诃曼殊沙华、曼陀罗华、摩诃曼陀罗华）之一，典称见此花者，恶自去除。

只有好的作品雕工是全方位乃至任何一个细节都是非常到位的，可以看到腰间丝缕非常清晰错落有致，显得十分自然，后背衣服的纹饰也十分清晰，整体做到了曹衣出水的效果，令人十分惊叹。

正面曲线精美，像是在舞蹈，嘴眼鼻下巴的曲线做的非常到位，这是纯手工精雕细磨的表现，可以看到光线反射为亚光，其表面多处出现了鎏金，岁月斑驳的痕迹，加上黑漆古包浆，让人一眼望去就**年代感，其品相完美，**收藏价值。

英文翻译：The Northern Wei was founded by the leader of the Tuoba tribe of xianbei nationality in the north. Both rulers and Buddhists wanted to rely on each other's influence, so Buddhism gained a firm foothold in China and began to spread.

The prevalence of Buddhism in the Northern Wei dynasty was also related to the Worship of Gods in China. Buddhism was constantly adjusting itself to meet the needs of society and people's demands on the way of development. Therefore, Buddhism mounted the broad stage of religious belief in the Northern Wei Dynasty, and Shamanism gradually disappeared. Under such favorable social environment, Buddhism ushered in an important period of prosperity and development in the Northern Wei Dynasty.

Since the founding of the Northern Wei, Buddhism developed with it. In addition, the emperors of the Northern Wei attached great importance to the support of Buddhism, giving Buddhism a supreme position, resulting in a strong chain effect from the emperor and officials to the people, which made the whole country fanatical worship for it.

If Buddhism wants to spread, it must follow the path of central Plains culture, which is also the only choice for Buddhism in the future development of China. Gradually, The Culture of Buddhism began to go deep into social life and come to the people. While preaching, it also kept learning from the traditional culture of the Central Plains to make itself secularized and personified, so as to better spread.

The figure of Buddha

The Sanskrit alias of Bishi flower is "Manchu Shahua", which is a transliteration of the Sanskrit "Mahaman Shahua" in the Dharma Hua Sutra. Originally the flower in the sky, the big red flower, is one of the four auspicious signs of heaven (Manchu shahua, Mahamanshu Shahua, Mandala Hua, Mahamandala Hua), said to see this flower, evil from the removal.

Only the good carver is omnidirectional and even every detail is very in place. You can see the silk thread on the waist is very clear and well-arranged, which looks very natural. The grain on the back of the clothes is also very clear.

Positive curve exquisite, like in the dance, the curve of the mouth eye nose and chin do very in place, this is pure hand carved fine grinding performance, you can see the light reflection is inferior smooth, large area of the surface were gold, mottled years trace, coupled with black paint old wrapped slurry, let a person look is extremely s feeling, its quality perfect, extremely collection value.